Some Details about me

About Me

My journey with photography began at seventeen, a passion I pursued intensively for several years. In those days, I worked with roll film and spent countless hours in the darkroom. While I appreciate the craft of the past, I am grateful for the freedom that modern technology offers today.

Life eventually led me down a different professional path for nearly four decades, during which photography remained a quiet companion through holiday snapshots. Since retiring, however, I have fully rediscovered my craft, dedicating myself to the art of Intentional Camera Movement (ICM).

My history with Canon began in the 1970s with the iconic AE-1. While I remain loyal to the system today, my primary tools have evolved into the mirrorless R7 and R6 Mark II.

Philosophy & Approach

For me, photography is like painting with a camera. My artistic approach is to capture fleeting moments of movement in nature and translate them into abstract visual stories. Rather than documenting reality, I aim to depict the essence and rhythm of the natural world.

As Ernst Haas once said: “I am not interested in shooting new things – I am interested in seeing new things.”

Professional Background & Exhibitions

To constantly refine my vision, I have trained with renowned artists such as Eva Polak (New Zealand), Kate Fish (Germany), and the creative ICM photographer, author, and educator Roxanne Bouché Overton (San Francisco).

As an active member of the ICMPhotoMag Network and ICM Academy, I also collaborate with Artboxy, where my work has been featured in several online exhibitions. Currently, I am focused on expanding my digital presence and preparing upcoming physical exhibitions to share my perspective on the abstract beauty of nature and the world around us.

Hubert Endl